Chapter 8 Once upon a time there was a boy named Ravana.
 Chapter 8 The Opus Clarified The morning of March 2, 1971, dawned crystal-clear
 and hot at La Charrera. It was the much-anticipated day when Ev, Dennis and I would at last be
 able to take possession of the house in the forest that was now finally vacated. There
 was more than the usual amount of excitement associated with our frequent moves this particular
 morning. For three days Dennis had been saying that the energy of the phenomenon we were
 involved with was so great that we should not go any further unless we had the greater
 isolation that the forest house provided. In all of this recent surge of speculation
 our original ethnobotanical intentions had not been completely forgotten. Far from it,
 our immediate intent was to use ayahuasca as an MAO inhibitor and a problem-solving
 drug and to brew and take the Banisteriopsis capi that Ev and I had gotten from Basilio
 a few days before. Our move began shortly after dawn in order to avoid the heat of the
 day. The trek to move ourselves and our equipment to the new home involved going through the
 pastures, which we had not seen since our mushroom experience two days before. The Stropharia
 seemed to be everywhere. There seemed not to be a cow pie without its golden flush of
 perfect mushrooms. I promised myself that as soon as we had squared away the new hut
 and otherwise settled in that we should again take the mushrooms. As it happened, Ev and
 I spent the rest of the day following the move, clearing the ground around the hut and
 pulling large tree roots out of the sandy soil and stacking them in the sun to dry out
 and serve as the fuel for the fire we anticipated building in order to brew up our Yahé. We
 seemed to glory in physical exertion. Energy and light seemed to fill everything. Denis,
 who had been rather withdrawn and snappish with everyone since his experience in its
 mixed reception, had wandered down the forest trail in the direction of the Witoto village
 thirteen kilometers away. He had taken his notebook. In the middle of the afternoon he
 returned. He was very excited and he had completed writing out the preliminary notes for what
 became the experimented La Charrera. It was the only written record of his ideas that
 was actually made at the time, and as such is the only piece of written primary evidence
 that we have about how we both viewed what we were doing as we were doing it. These notes
 do not, of course, represent the final form of our theorizing about these matters. Refinement
 of these ideas has been constant since their creation. These notes are not to be taken
 at face value at all. The scientific basis of our work is elaborately described in the
 Invisible Landscape. That work represents our considered composite opinion as of 1975.
 The present work is the story of the growth of those ideas through time and shows the
 fallacies and myths spun into the fabric of the first conception of these ideas. But how
 complete the vision was and how finely worked its detail, the working understanding that
 is represented in these notes of my brother's, are the operational basis of the effect that
 we did trigger on the fifth of March. His notes were our working myth and they did have
 great effectiveness. They are not, however, for the reader faint of heart. They are like
 the words of a magical incantation. Magicians will wish to linger over them. The rest of
 us might wish to skim over them and hurry on with what is, even without the theory,
 a ripping good story.
 To March. Further experiments with the audio warp phenomenon yesterday raised some interesting
 new questions and enhanced our ongoing understanding. I chose the term "audio warp" because my
 experience thus far, coupled with what I have been told, leads me to believe that this all
 has to do with vocally generating a specific kind of energy field which can rupture three-dimensional
 space. I do not understand if the field is electromagnetic, but it seems to bend space
 in such a way as to turn it upon itself through a higher dimension. Here is how it is done.
 One must take enough psilocybin to allow the sound to be audible. This sound, we understand,
 to be the ESR of the resonating psilocybin alkaloids within the mushroom. The presence
 of rapidly metabolizing, high-energy tryptamines within the Yahé acts as antenna that sensitizes
 the neural matrix to the spin-resonance energy of the strepherous psilocybin. It is this
 principle that allows the signal to be made audible. It must then be amplified via the
 tryptamine admixture antennas to what is felt to be its fullest amplitude. Then, via vocal
 sound, this energy is placed into the harming complex within the body and within the mushroom,
 which has been, in some small part, cooled to absolute zero, the temperature at which
 molecular vibration ceases through absorption of the psilocybin ESR pulses. Once this ESR
 wave has been audibly detected, it will be possible to amplify it within the neural circuits
 by channeling it through the harming complex. That is, by imitating the psilocybin ESR with
 a voice, causing the amplified sound to strike a harmonic tone with the harming metabolizing
 in the brain, thereby exciting the harming ESR. Since harming complexes are merely further
 down the same biosynthetic pathway that converts tryptophan into psilocybin, it is possible
 to consider the ESR tone of psilocybin as a harmonic overtone of harming, and vice versa.
 Using harmonic overtones, it is possible to sound a tone which will cancel one or more
 of its octaves reflected in harmonic scales above and below it. This is easily demonstrated
 on a cello. Suppose a tone, say the open string A, is sounded. The sound is a wave vibration
 of air molecules caused by the string, which acts as a resonator. The tone is heard most
 loudly in the key in which it was sounded, but it also sounds every other key of A in
 the octaves above and below it. It is possible to cancel out the original tones by touching
 the string very lightly at certain harmonic points. When this is done, the overtones in
 the higher and lower registers become audible. If one understands the theory of harmonic
 resonators well enough, one can determine which overtones will be resonated if certain
 points on the string are touched. When this understanding is applied to molecular ESR
 resonation, it remains essentially the same in principle. When the ESR tone of the psilocybin
 is heard via a tryptamine antenna, it will strike a harmonic tone in the harmene complexes
 being metabolized within the system, causing its ESR to begin to resonate at a higher level.
 According to the principles of tonal physics, this will automatically cancel out the original
 tone, that is, the psilocybin ESR, and cause the molecule to cease to vibrate. However,
 the ESR tone that sustains the molecular coherency is carried for a microsecond on the overtonal
 ESR of the harmene complex. This leaves the momentarily electrically canceled and superconductive
 psilocybin suspended in a low-energy electromagnetic field generated by the harmene ESR. In so
 doing, it will regain its original, but now superconductively amplified ESR signal, which
 will permanently lock it into a superconductive state. As this phenomenon proceeds, it will
 automatically trigger the inverse of the initial process. The psilocybin superconductively
 charged by mind will harmonically cancel the ESR resonance of the harmene within the brain.
 The energy of the harmene-psilocybin complex ESR will be absorbed instantly into the matrix
 of the mushroom. This will cause these molecules, metabolizing within the body and bonded to
 neural DNA, to instantly drop to absolute zero. Clearly, this harmene-psilocybin-DNA
 complex must immediately separate itself from the cellular matrix. There is great danger
 at this moment, but pathways exist to deal with it. We will find that these molecules
 condense out of our bodies, accompanied by a sound. This sound will be the harmonic ESR
 tone of this complex, amplified superconductively and broadcasted frozen into the superconductive
 matrix of the mushroom. The superconductively charged psilocybin acts as an antenna, which
 picks up the amplified ESR signals of the complex and condenses vibrational signals
 into a superconductive matrix. The opus can now be briefly summarized. The mushroom must
 be taken and heard. The yahay must be taken and charged with the overtonal ESR of the
 psilocybin via voice-imparted amplified sound. The ESR resonance of the psilocybin in the
 mushrooms will be canceled and it will drop into a superconducting state. A small portion
 of the physical matter of the mushroom will be obliterated. The superconductively charged
 psilocybin will pick up the ESR harmonic of the yahay complex. This energy will be instantly
 and completely absorbed by the higher-dimensional tryptamine template. It will be transferred
 to the mushroom as vocal sound and condensed onto the psilocybin as a bonded complex of
 superconductive harmine-psilocybin-DNA. The result will be a molecular aggregate of hyperdimensional
 superconducting matter that receives and sends messages transmitted by thought that stores
 and retrieves information in a holographic fashion in neural DNA and that depends on
 superconductive harmine as a transducer energy source and superconductive RNA as a temporal
 matrix. This aggregate will be a living and functioning part of the brain of the molecular
 singer who creates it. It will be composed of higher-dimensional matter, that is, matter
 that has been turned through the higher dimension via the process of canceling its electrical
 charge with the harmonic vibration, transmitting that vibration across space from superconductive
 transmitter to superconductive receiver and then recondensing that vibration onto a superconductive
 template, the charged psilocybin in the mushroom, until the harmine-psilocybin-DNA complex condenses
 into a superconducting molecule, a molecule that is hyperdimensional matter, would by
 this theory remain so as long as it remains in the superconducting configuration, probably
 forever since it is powered by its own ESR energy. It will then be responsive to commands
 via endogenous tryptamine ESR, thoughts. It will be keyed into our collective DNAs and
 it will contain harmine as a superconductive transceiver and power source. It was his idea,
 and it seemed to me a magnificent one, that the body is like an undiscovered musical and
 scientific instrument whose potential lies all around and within us but of which we are
 unaware. He said that the mind, through an act of will, could use the singing voice to
 interact with the brain as though it were a color organ and a holographic library all
 wrapped into one. Dennis pointed the way toward a kind of "orphic science" where the great
 advances would be made using only the interaction of the quaternity of singing voice, mind,
 brain, and imagination. More, however, than a chant-induced collective synesthesia was
 promised, he was saying that the laws of acoustics and low-amperage bioelectrical phenomena could
 be manipulated to give the experimenter a doorway into exploring states of matter and
 realms of physics of high energy and low temperature that are currently, at least, supposed to
 be the exclusive province of researchers totally dependent on extremely technically sophisticated
 and powerful instruments. It became possible for a moment to dream that the powers of shamanism
 derived from a millennium-old knowledge of microphysics and bioelectronics that was actually
 far in advance of our own. Perhaps the shamanic traditions of this planet are the keepers
 of a path of understanding that uses the human body-brain-mind as its cutting edge and which
 leaves the present state of the art which our own scientific method has achieved a very
 poor second. This is really an old idea, the siren song of Pythagoras, that the mind is
 more powerful than any imaginable particle accelerator, more sensitive than the most
 powerful radio or optical telescope, more powerful in its grasp of information than
 any computer, that the human body, its organs, its voice, its power of locomotion, and its
 imagination is a more than sufficient means to the exploration of any place, time, or
 energy level in the universe. It was this idea that he would set out to prove, to realize
 in the actual hardware of this dimension a roving lenticular vehicle which he was convinced
 could be generated out of his own body DNA and things present at hand in the Amazonian
 environment, the mushroom and the ayahuasca.
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